On the 8 September the DSEI arms fair opened in East London. I spent the day meandering around CAAT’s demonstration outside the offices of UKTI DSO talking to all and sundry.
I wanted to see the range of reasons why such a large group of people had gathered to fight actions our government deems to be legal. The range of passionate and articulate responses are collected in the video blog below, and stand as a testament to those who wish to stop British companies from profiting through war. They will surely rank with those who have fought such accepted abberations as the slave trade in the past.
It was a great day to feel part of such a positive movement for change, and I would encourage all who are inspired by the film to become an active part of CAAT in the future.
I lay unmoving on the walkway above Trafalgar Square, in front of the National Gallery. Through my half-closed eyes, I could see passers-by stopping to look at me, some taking photos. My knees stiffened and my back arched on the still damp ground yet I felt strangely content. Why? Well, I was taking part in a public art event and simultaneously protesting against the London arms fair. How good is that?
The main focus of attention was on the Fourth Plinth of the square, scene of the One & Other project, brainchild of artist Antony Gomley. Members of the public, drawn by lot, could use their hour on the plinth as “living sculptures” to do what ever they liked – as long as it was legal.
A wonderful lady in Leeds called Quinnie had got in touch with Campaign Against Arms Trade (CAAT) the previous month to say that she had been drawn to appear on the plinth and wanted to dedicate her hour to protest against the London arms fair – Defence Systems & Equipment International (DSEI). Continue reading “The Quinnie and I (and a few friends)”