Street art withdrawn from Science Museum over Saudi arms links

Increasingly, arms companies are sponsoring public events and spaces in order to boost their profiles and increase their profits. This has caused artists and performers to take action and demand better. In this blog, a member of the Protest Stencil art collective explains why they removed their work from the Science Museum in London.

Last week a new exhibition opened at the Science Museum in London, just in time for the summer holidays. One of our posters was going to be in the show, but we’ve had to pull out. Here’s why…

Back in March, the Science Museum got in touch saying they were planning an exhibition about data and data breaches. They asked if they could have one of our Facebook adhack posters from last year, “Data misuse is not our friend, it’s our business model”. Those posters got a lot of attention, so it wasn’t surprising the Science Museum had heard about them.

Keep on reading!

BAE spies with their (…) eyes

I used to live, for several years, in Eastern Europe. I have since resigned myself to the fact that there probably is a nice little folder with my name on it somewhere in the Belarussian KGB archives documenting most of my life (where I went, conversations I had etc.) in Minsk. It’s a chilling thought.

What had I done to deserve being spied on? I worked as a volunteer with people with disabilities. How subversive! I always tried to shrug being spied on off as something you get when you live in a country which is under authoritarian rule. As Belarus wasn’t “my country” I could always leave if I didn’t like the spy-thing.

Well – I have left. I am back in “my country” and here I am worried that I was being spied on again. BAE Systems have previously used agents to obtain all sorts of personal and confidential information on CAAT staff and supporters. This time round Paul Mercer of LigneDeux Associates, who was hired by BAE systems has received a confidential CAAT e-mail and passed it on to BAE systems.
Continue reading “BAE spies with their (…) eyes”